Sportswear moved into the mainstream, visitors are told, because it is comfortable and wearable. Play however moves further away from everyday practicality and into the realms of the fashionably bizarre.
Aitor Throup’s hooded tracksuit top, complete with elephant mask, comes from a collection entitled When Football Hooligans Become Hindu Gods. Christian Dior’s dance outfit combines 18th-century eveningwear (albeit in neon yellowy-green) with jersey warm-up trousers. Walter Van Beirendonck’s tracksuit top and bottoms, from his Stop Terrorising Our World collection, display anti-capitalist messages on typical tracksuit material.
These items are certainly high fashion but raise the question of whether they can still be considered sportswear.
Desire brings the circuit to an end, both physically and metaphorically. If Play shows how the relationship between fashion and sport can become extreme to the point of tenuousness, Desire demonstrates how it has been flipped.