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Exhibitions

A Vision Of Architectural Fantasy At The Lowry In Salford

26/08/2004

Image: Shows a colour architectural drawing of what appears to be a pier-like structure weaving its way into the sea. Thin lines of light extend into the air from three points on the pier, which has the look of a a reef and there are hills in the background.

Morecambe Nightview, 1991. Birds Portchmouth Russum Architects. © Birds Portchmouth Russum Architects.

Gleaming in the middle of Salford Quays, The Lowry is perhaps the perfect spot for an exhibition entitled Fantasy Architecture.

A show of imagined buildings, structures and schemes, Fantasy Architecture (on until September 19) offers a taste of how the world might look today had the politics, economics, technical possibilities and tastes of our predecessors been different.

Whether in ink and wash drawings or computer animations, architects have, over the years, created visions to enthuse and convince clients or simply as private fantasies.

Image: Shows a colour architectural drawing of a proposed vast tower standing behind the Houses of Parliament at Westminster.

Design for the Imperial Monumental Halls and Tower, London, 1904. John Pollard Seddon (1827-1906) and Edward Beckitt Lamb (1857-1934). RIBA Library Drawings Collection.

From designs for palaces by medieval masters to futuristic film sets, Fantasy Architecture offers a chance to see paintings, models, film and computer renderings of designs for buildings by the likes of Inigo Jones, Joseph Paxton, Robert Adam, Edwin Lutyens, Archigram and Foreign Office Architects.

Divided into eight sections, the exhibition looks at architectural visions for every aspect of our lives.

In Private Worlds, domestic environments are transformed by the likes of Softroom, whose 1998 commission for Wallpaper magazine shows an alternative vision for 21st century domesticity.

Designs by counter-cultural group Archigram, as well as the NASA Ames Research Center scheme for a space settlement developed in the 1970s, give things a futuristic flavour in The Appliance of Science.

Image: Shows a black and white digital print of an architect's design for the World Trade Centre site in New York. Standing behind the Statue of Liberty is a series of wavy towers weaving up into the sky.

World Trade Centre, New York, 2002. Foreign Office Architects. © Foreign Office Architects.

Megastructure includes a recent design for a New York Virtual Stock Exchange, as well as Joseph Paxton's 1855 vision for a monumental 10-mile Great Victorian Way, combining shops, hotels and restaurants with an elevated railway.

Vertical Visions shows un-built plans for a new World Trade Center and a design for a huge tower commissioned by Gordon Selfridge in 1918 to perch atop his London department store.

In Past Perfect visions of imaginary landscapes vie with panoramas inspired by legend and archaeological evidence, while City Futures offers a glimpse of things to come.

Image: Shows a pen drawing of an architect's proposal for a tower extending out of the roof of Selfridge's department store on Oxford Street in London.

Design for a tower for Selfridge’s department store, Oxford Street, London, 1918. Philip Armstrong Tilden (1887-1956). RIBA Library Drawings Collection.

All the World's a Stage offers the lavishly ornamented Renaissance set designs of the Galli Bibiena Family and a sketch for a Fun Palace of 1974 by Cedric Price.

The final section, In Memoriam, is at once serious and humorous. Designs include a Princess Diana Memorial Bridge by FAT and Claes Oldenburg's 1966 maquette for a monument to the mini-skirt.

Organised by the Hayward Gallery in collaboration with the Royal Institute of British Architects, Fantasy Architecture is a National Touring Exhibition.

From Salford it sets off for the New Art Gallery Walsall (October 1 – November 21) and the Harris Museum and Art Gallery in Preston (January 29 2005 – April 9).

The Lowry
Pier 8, Salford Quays, Salford, M50 3AZ, Greater Manchester, England

Open: The galleries open: Sunday - Friday 11.00-17.00 Saturday 10.00 - 17.00

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Information published here was believed to be correct at the time it was prepared. Welsh language pages developed with CYMAL: Museums Archives and Libraries Wales, funded by the Welsh Assembly Government.

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