Leckey is also in a band and he uses his music as background to his show. He makes his music from samples and enjoys using fragments, piecing them together to create sounds.
Focused on the Dandy era but brought into the 21st century, the venue is perfect for Leckey’s piece. The rhythmic, echoing footsteps of the Dandy as he walks down the years were eerily reminiscent of Lee Marvin’s footsteps of doom in the film Point Blank: The Dandy is moving towards us but what are his intentions?
The film is as intriguing as it is thought provoking, overflowing with historical and literary insinuations but beautifully balanced with a contemporary mixture of art, music and fashion.
The Dandy idolises his wardrobe almost to an extreme. One scene sees a hand massaging a shoe with great passion but without sexual connotation.
Leckey was thrown into the limelight with his 1999 video piece Fiorucci Made Me Hardcore, a dream-like visual essay on the history of underground dance culture in the UK shown at the ICA.
Living and working in London, Leckey centres his work around sound system and video works that highlight his obsession marginalized youth cultures enriched by the history of art.
Parade was commissioned by The Film and Video Umbrella in association with the Brighton Photo Biennial.